Actualités musicalesvendredi 18 avril 2014
Sound and Affect : Voice, Music, World. International Conference18-19 avril 2014, Stony Brook University Call for Papers Stony Brook University's conference, Sound and Affect: Voice, Music, World, seeks to investigate the varied intersections of sound and affect. This conference has been organized jointly by Stony Brook's Department of Music and Department of Philosophy, with the assistance of the Music and Philosophy Study Group of the American Musicological Society, and in collaboration with the Music and Philosophy Study Group of the Royal Musical Association. In the voice as it speaks, stutters, rustles, hesitates, chokes, sounds 'accented,' or cries; in music, whether vocal, instrumental, or electronic; in our sonic environments, whether natural or manmade; and in the many modalities of listening that respond to our sonic worlds, the sounds we make and hear can seem to externalize, reflect, evoke, recall, or catalyze affective states. Moreover, the many linkages of sound and affect are far from stable or autonomous. Race, class, and gender, social, cultural, and political experience, and diverse forms of historical change can all condition the relays and relations of sound and affect. If we live in a "tower of sound," to use an expression from Leonard Cohen, this tower is sometimes the scene of a battlement and sometimes a beacon, every bit as protean, contentious, and contradictory as the world in which it takes shape. For the full CFP, please follow this link Please send an abstract of 500 words to the following email address: SoundandAffect at stonybrook.edu. The final deadline for abstracts is December 15, 2013. In your email, please include a separate document stating your name, your institutional affiliation and position, and your paper's audiovisual requirements. If you have any questions, please contact Stephen Decatur Smith: stephen.d.smith at stonybrook.edu. Petites annonces musicalesVends guitare classique Antonio Ruben fabriquée artisanalement (Caen) Vends Accordéon chromatique Hohner Arietta IM touches piano (Caen) Organisatrice concert 20 mai au palais de Tokio (Paris) cherche personne pour backstage et régie L'Ensemble vocal Philharmonia (Marseille) recrute basses et ténors.
Revue de presse musicale(Le Figaro) « Demos » : la musique classique au cœur d'un projet éducatif et social en banlieue (France musique) Regards sur la musique malgache (Boursorama) Le vinyle, nouvel or noir de l'industrie musicale (Culture fr) Les Grandes eaux musicales de Versailles (Le Monde) La musique coule le long du Nil pour prévenir les conflits (France Info) Neil Young veut réinventer la musique numérique (Les Échos) Britten ou l'humanité blessée (Culturebox) Cecilia Bartoli, les secrets d'une grande voix (Culturebox) Maxim Vengerov : « Le violon, c'est la continuation de mon cœur » (Mairie de Paris) La Philharmonie mise en musique par l'Orchestre de Paris ! (Plos One) Syncopation, Body-Movement and Pleasure in Groove Music (France musique) Leçon de piano de Philippe Cassard en vidéo (4/4) : legato, c'est pas de la tarte ! (France musique) Scala de Milan : Alexander Pereira coupable de conflit d'intérêt ? (France musique) John Luther Adams remporte le prix Pulitzer de musique (Culturebox) La mort de Cheo Feliciano, légende de la salsa (Culturebox) « Illmatic » de Nas : 5 bonnes raisons de fêter ce classique S'abonner au bulletin. Collaborations ISSN 2269-9910 © musicologie.org 2013 Vendredi 18 Avril, 2014 1:10 |
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